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Where am I in all of this? -- Musician and composer Tim Parkinson reflects on Beckett's work and archive

12/4/2019

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​In May 2018, the musician and composer Tim Parkinson began work as the Beckett Centre's second Creative Fellow. As an experimental composer Tim is very much aware of the tradition of music associated with Beckett’s works, captured most famously by the American composer Morton Feldman. Samples of Tim’s work, together with interviews and articles, can be accessed from his website.

His Fellowship follows the pattern established by our Inaugural Fellow, the award-winning writer Eimear McBride. Tim will produce regular reflections on his creative processes and evolving relationship with Beckett's work through the archive materials held at the University of Reading. You can read his ongoing reflections below:

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Modernist Archives in Context: Periodicals and Performance (CfP deadline: 13th August)

2/8/2018

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22 - 23 November 2018, University of Reading
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As part of Beckett Week 2018, this two-day event invites academics, practitioners and postgraduates to engage in discussions surrounding Samuel Beckett’s involvement in early Modernist periodicals and his creative relationships in theatre. The conference, supported by the Samuel Beckett Research Centre at the University of Reading, will use the Beckett archive at the university to explore the diverse literary and performance networks that continue to spread across disciplines and genres. 
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Eimear McBride talks about Samuel Beckett on RTE Radio 1

8/7/2018

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Award-winning novelist and inaugural Beckett Fellow, Eimear McBride, has made a radio programme with RTE Dublin about the Samuel Beckett archive at the University of Reading. The programme includes contributions by James Knowlson, Beckett's authorised biographer, and by colleagues at the University. In the broadcast, Eimear discusses also the significance of Beckett's work for her as a woman writer, and gives evocative insight into Beckett's late prose work, Stirrings Still. 

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Where to begin? -- Eimear McBride's evolving relationship with Beckett's work

29/6/2018

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​Eimear McBride
is an award-winning novelist whose debut novel, A Girl is a Half-Formed Thing (2013) won her the Baileys Women’s Prize for Fiction, the Goldsmiths Prize, the Kerry Group Irish Fiction Award, the Desmond Elliott Prize, and the Geoffrey Faber Memorial Prize. Her second novel, The Lesser Bohemians (2016) was awarded the James Tait Black Memorial Prize. Her short stories have appeared in The Guardian, Dubliners 100, and on BBC Radio 4, where she regularly features in radio programmes about literature, including 'Bookclub', 'Free Thinking', 'Only Artists', 'A Good Read' and 'The Verb'.
​Eimear was appointed as the Beckett Centre's Inaugural Creative Fellow in September 2017. Her remit was to make visits to the Samuel Beckett archives held at the University and make new creative work from her engagement with the materials she found there. This new work will be launched at a public event this Autumn, where the author will discuss her responses to Samuel Beckett. Details of these events and the new work will follow.

During her fellowship, Eimear has produced a series of reflections about her evolving relationship to Beckett’s work through the archive. ​​
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    Welcome to the Beckett Centre Blog!

    ​Based at the University of Reading (UK) the Beckett Centre is an interdisciplinary hub for the advancement of creative and scholarly engagement with the works of the Nobel Prize-winning writer Samuel Beckett. ​

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